Dubai played its part in immortalising the Ferrari legend in a diamond-studded edition that is priceless in content
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Karl Fowler takes pride in the craftsmanship of the book. |
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A preview of its inside pages - exclusive photographs commissioned for the book. |
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The first signed copy of the Ferrari Enzo Diamante as it made its debut at the Melbourne Grand Prix 2011. |
Ferrari is one of the best-recognised brands in the world. Even people who don't know their clutch from their carburetor can identify the distinctive prancing horse logo.
Founded by Enzo Ferrari in Modena in 1929, the Italian company is commemorating its history by publishing the world's most expensive book (at face value). The Enzo Diamante Edition - The official Ferrari Opus made its debut at the Melbourne Grand Prix on March 27 this year and is described as the most lavish and valuable historical reference Ferrari has ever produced - and the expertise of a Dubai company was involved in the creation of the glittering prancing horse on the book's cover.
Speaking at its release ceremony, Antonio Ghini, the publishing director for Opus Media Group, the UK-based publishing group that created this unique edition, said, "Ferrari Opus is not a book, it's a concerto. A triumphant opera whose score is made up of cars, technology, history and achievements, and whose protagonists will live for ever. Opus, like Ferrari, is a unique experience."
Indeed it is. Costing $275,000 (Dh1,010,116) per copy, sporting the famous prancing horse logo that's crusted with 1,500 diamonds that together form over 30 carats (clarity VVS-Vs 1, colour-F), the book weighs 37kgs.
This collector's piece, which was first released in the UK in December 2010, contains every detail of every race Ferraris have entered, plus exclusive interviews and profiles of every driver who raced for the team. Of the 200,000 words and 2,000 pictures in the book, nearly 75 per cent is exclusive, never-seen-before-in-print content. There are 300 limited-edition copies of the book, and the sale is limited to one copy per country. In February this year, buyers in Australia and Sri Lanka bought the copies for their country, while car-crazy wealthy patrons from the USA, UK and UAE are waiting in line to snap up copies too.
Siroya Collections, a Dubai-based diamond jewellery company, was chosen to create the diamond-encrusted silver prancing horse that graces each of the 300 copies of this special diamante edition. Anshul Siroya, proprietor of Siroya Collections, says in an exclusive interview with Friday: "It is an absolute privilege to be associated with Opus and Ferrari. At Siroya collections, our team has selected, with utter precision, the finest and most beautiful quality of diamonds to be a part of this invaluable masterpiece. We have, as always, focused on providing the finest workmanship.
"I personally see the Enzo Diamante Ferrari Opus edition as a very prestigious investment opportunity for every Ferrari fan. It not only forges a special relationship with the Ferrari family but also makes them a part of an elite group from all around the world. This is something never done before by any publishing house and perhaps difficult to replicate."
At the end of the sale of the books, the owners automatically qualify for a raffle to win a Ferrari F1 car.
Karl Fowler, the CEO of Opus Media Group, spoke to Friday in an exclusive interview about what the making of the book meant for his publishing house, and about the other Opus subjects the house has published.
You take pride in publishing some of the world's most prestigious and iconic books. What's the thought process behind them?
Our starting point whenever we look at a new subject or new genre is very simple, and in many ways, fundamental to our business and creative model. We ask ourselves a simple question: ‘How can we tell this iconic story in a way that has never been told before?' If we can't tell the story differently, then we have no creative point of difference. We are just like any other publisher. In actual fact, the commercials of an Opus project are secondary. I know that sounds like a cliché but it is true. Our belief is that if we are able to tell the story with pure integrity and imagination and differently, then people will recognise that and buy an Opus. This is more true of stories that have a strong emotive following and which are handed down from one generation to the next.
In this race for the best, the biggest and the most expensive, does content and creativity get compromised?
In every Opus we make, we have to make sure that at least 50 per cent of the content (photographs and editorial) has never been seen or published in any way before. For example, on the Ferrari Opus we took that exclusive content level up to 75 per cent. We are, therefore, raising the bar in terms of content integrity to a level not seen in global publishing before.
In my view, to have a race you need to have a competitor. We don't have anyone close to what we do anywhere in the world. Speed is something we actually sacrifice in the interests of our uncompromising creative integrity. I will give you two examples. The original budgeted schedule for the Ferrari Opus was set at 12 months for complete content creation. It actually took us three years. The reason we took so long and it cost so much was that we kept finding new areas of the Ferrari ‘story' to tell.
For example, there is a section in the Ferrari Opus that has pictures taken by a special piece of technology called the ‘sensecam'. It was developed by Microsoft, originally for military use. We had to wait six months before we could test it and play with it. We used the technology with the Ferrari F1 team during a F1 race to capture angles and moments of the race from the cockpit of the car, something that's never been done before. It was the first attempt of its kind ever in photographing sport.
The point I am trying to make is we stopped the production for an entire six months just so we could capture a small batch of photographs using this new, untested technology. I don't know of any other publisher that would have stopped production for such a period of time and maintained the overheads like we do.
My second example: We wanted to create something truly unique and special for our Makkah Opus project. So we commissioned one of the world's most talented mosaic artists, UK-based artist Genna Wise, to create a stunning large-scale mosaic art piece of the pilgrims performing the Haj. The art piece itself has been specially photographed and will form an exclusive two-metre long gatefold in the Opus. The original mosaic art will be travelling the world as part of the Journey to Makkah Opus touring exhibition. Creativity is never compromised in our quest for unique and diverse storytelling.
How does it feel to publish the world's most expensive book?
It is not important that we have produced the world's most expensive publication. What is important, and what makes me happy and proud of the team we have at Opus, is knowing we have been true to the story we are telling. That people will come away with a unique experience and interaction with the story they love and have a bond with it like never before.
I think if we are able to achieve that then we have something different and special. Yes, the Ferrari Opus ‘Diamante' edition is special and expensive. But it reflects the craftsmanship and investment value and rarity that each one of those special copies holds. The owner of the Sri Lanka edition of the Ferrari Diamante told me recently that he bought his copy not for himself but for his son - he wants to hand it down in years to come. That put a big smile on my face.
Was this your dream project?
I loved the Ferrari Opus project. I loved the emotion, the passion, the desire to be the best that is so much of the Ferrari story. It was a story to tell on a global stage as well so that gave us a real thrill. It was hugely challenging and a big responsibility given the prestige and devotion to Ferrari by millions of fans the world over. We had to get it right. Remember, as we only ever produce limited editions, we can never print a second or third run. We only have one chance to get it right!
Each copy must have netted huge profits for Ferrari and Kraken Opus, but what is its intrinsic worth in the world of sport?
It does not have a value. It is priceless.
So far Sri Lanka and Australia have bought a copy. Who are the other buyers?
We have interest from now eight other countries including the UAE, USA, Italy and UK.
What's your next project?
We have currently seven different Opus being created on varying subjects, which are all at different stages of production. We have an Opus with Sachin Tendulkar, the Indian cricket icon, coming out this year. We have one telling the story of the South African SpringBoks rugby team, which is amazing as it will include never-before published content from the apartheid years of black rugby. We have the Opus telling the story of the Haj pilgrimage to Makkah, which is our first Opus in both English and Arabic language in one edition, plus we have an Opus devoted to telling the story of the building of the world's tallest structure, the Burj Khalifa, which will be out in a few months time. We have also signed a further ten deals with partners that gives us a long pipeline of Opus editions to join the family.
Facts: The limited edition book costs $275,000 per piece.l Each copy has 852 pages and measures half a square metre. l The Opus includes gatefold pictures two metres long and exclusive interviews with the motorsport legends that have been part of Ferrari's unique history.
Inside info
For those who can't afford the $275,000 Enzo Diamante edition, the book will be soon made available in three other editions: $34,925 Enzo, the $6,545 Cavallino Rampante and the $3,520 Classic.
By the way …
- The first copy of the book will visit all the Formula 1 Grand Prix events this year, and make its last stop at Maranello, Italy.
- It will be signed by Luca di Montezemolo, as well as Khaldoon Khalifa Al Mubarak, CEO of Mubadala, the Abu Dhabi-based company that helped make this book a reality, and many Ferrari legends.
- The book will be auctioned, with money going to two charities selected by Ferrari and Mubadala.
- Arjun Wickramsinghe of South Ceylon publishing snapped up the first copy put up for sale and Sri Lanka became the first country to have a copy of the Ferrari Opus